![]() XLN Audio Addictive Drums ADPak: Studio Pop GBP £60.00 (UK/EU orders incur VAT).XLN Audio Addictive Drums ADPak: Retroplex GBP £60.00 (UK/EU orders incur VAT). ![]() No refunds are possible on digital products – view our full Refund Policy here. Java 1.8 (Recommended Java SE8 by Oracle.).Windows 10, Windows 8, Windows 7 or Windows Vista.Available in VST / AU / Max for Live plugin formats.Tweak and evolve song ideas in real-time using five layers of control.Make unique beats instantly using a collection of rhythmic building blocks.Paint melodies, harmonies and chords using the revolutionary Sketch tool.Simply draw a shape using the groundbreaking Sketch tool, and let Liquid Music develop the chords and melody around it. What if you could create that melody simply by sketching its shape? Well, now you can. Imagine your favorite melody-the swelling rises, plunging drops and every detail in between. You can explore new harmonies, melodies and beats in seconds, and see where your music takes you. Experiment with unique rhythms to find the right groove. Quickly sketch a melody shape or chords to jumpstart your creativity. But with Liquid Music, producing new song ideas is fast and easy-even when you’re low on inspiration. :Liquid Music is a bundle that contains: – Liquid Music VST / AU / AAX – Liquid Music Max for Live / AMXD – Liquid Rhythm VST / AU – Liquid Rhythm Max for Live – Liquid Rhythm Standaloneīlank stares, cold sweats, and obsessive checking of social media-unmistakable symptoms of writer’s block. ![]() ![]() No more piano-roll tedium, no more MIDI noodling-just exhilarating, effortless creation on your terms. Thankfully, a couple labels - most notably ROIR - have kept this still-exciting record in print throughout the years.It’s the quickest way to inspire new ideas and conquer writer’s block. As far as an homage to a style that's provided inspiration, Rhythm Collision couldn't have done much better. The most uncharacteristic track of the record, its handclaps, funky bassline, and Chic-like guitar flicks are capable of making the most dedicated Ruts fan forget who is playing. Most everything unwinds at a relaxed pace, save for "Push Yourself," which would fit comfortably in a DJ set between Liquid Liquid and Grandmaster Flash. Aside from sporadic vocal phrasings, it's all instrumental. Buried piano motifs, melodica bleats, random percussive effects, head-spinning production techniques, and those deep, deep, deep basslines load the bases. Unlike the other post-punk bands who were influenced by dub and mutated it into something of their own, Rhythm Collision sticks closer to the origin sound, rarely coming off like anything other than a late '70s Trojan recording act. Three years prior to this release, PiL's Metal Box, the Slits' Cut, and the Pop Group's Y were each released, all of which - among other earlier releases - were rooted in dub. The liner notes claim that no one was successful at the fusion of punk and dub until this record came out, which is a false proclamation. Dedicated to Malcolm Owen, the band's lead singer who passed away two years prior, Rhythm Collision pairs the remaining Ruts in a sound clash with the then-upstart Mad Professor. Given the Ruts' love for and incorporation of reggae into their most strident punk material, it shouldn't have come as much surprise that they would eventually jump headlong into dub.
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